Kristen Bell’s early career dream was not singing or acting. She wanted to be a Disney princess. So tread carefully, karma-deniers. We put her self-described mix of “bubbles and rainbows and sunshine” at a good 90 percent of her DNA, but it’s that little ten percent that may reveal the most about her.
A lifelong struggle with depression and anxiety will either stunt you, or help you take a good look at yourself and make some life-defining decisions. It can make you a good actor, too. Coming up, the emotions Bell felt she couldn’t express in real life lent nuance and believability to characters across the good-to-bitchy spectrum.
In a candid and funny conversation, Bell shares personal and professional challenges, the surprising things that bring her joy now, and why everyone needs Veronica Mars as their imaginary friend. She also explains why she married a hillbilly from Michigan. That would be Dax Shepard, who wasn’t with us. . .or was he?
We’ll let Judith Martin and Martha Stewart debate the merits of starting a poker game at a wedding; but we will argue, however, that any kid who picks “actor” as a profession with “musician” as a backup is already a gambler. Luckily for Don Cheadle, he was really, really good at both. Lucky for us, too, because his work offers increasing proof that his is a voice we sorely need in cinema.
We talked to Don about art, music, rodent psychology, and the long and winding road that led to his writing, directing, and starring in Miles Ahead, a film he hoped would be preceded by the apocalypse. It wasn’t, so check your preconceptions at the popcorn counter and see just what pushing against constraints and definitions can yield.
And because he is a bit of a shark (who uses his skills largely for charity purposes), we had to request some poker tips. He obliged: “Great cards only come around every 40 hands. If you’re just sitting around waiting to bet, you’re not really playing poker.” In other words, you only lose by holding back.
We’ll let Judith Martin and Martha Stewart debate the merits of starting a poker game at a wedding; but we will argue, however, that any kid who picks “actor” as a profession with “musician” as a backup is already a gambler. Luckily for Don Cheadle, he was really, really good at both. Lucky for us, too, because his work offers increasing proof that his is a voice we sorely need in cinema.
We talked to Don about art, music, rodent psychology, and the long and winding road that led to his writing, directing, and starring in Miles Ahead, a film he hoped would be preceded by the apocalypse. It wasn’t, so check your preconceptions at the popcorn counter and see just what pushing against constraints and definitions can yield.
And because he is a bit of a shark (who uses his skills largely for charity purposes), we had to request some poker tips. He obliged: “Great cards only come around every 40 hands. If you’re just sitting around waiting to bet, you’re not really playing poker.” In other words, you only lose by holding back.
We’ll let Judith Martin and Martha Stewart debate the merits of starting a poker game at a wedding; but we will argue, however, that any kid who picks “actor” as a profession with “musician” as a backup is already a gambler. Luckily for Don Cheadle, he was really, really good at both. Lucky for us, too, because his work offers increasing proof that his is a voice we sorely need in cinema.
We talked to Don about art, music, rodent psychology, and the long and winding road that led to his writing, directing, and starring in Miles Ahead, a film he hoped would be preceded by the apocalypse. It wasn’t, so check your preconceptions at the popcorn counter and see just what pushing against constraints and definitions can yield.
And because he is a bit of a shark (who uses his skills largely for charity purposes), we had to request some poker tips. He obliged: “Great cards only come around every 40 hands. If you’re just sitting around waiting to bet, you’re not really playing poker.” In other words, you only lose by holding back.
Michelle Monaghan’s is not a face you want to cover up, though that’s exactly what she was once asked to do. In the 10 years since, she’s learned a lot about her craft. Having no formal training, she gained that knowledge largely on the job, feeling in over her head and questioning her abilities, but persevering anyway. The result is a combination of humility and confidence that’s as rare as it is enviable in an actress—or human. Watch her work sequentially—try Kiss Kiss Bang Bang, Gone Baby Gone, Trucker, and True Detective for starters—and you can see her coming into her own on screen. And what of the people who’ve questioned the decision of someone so genuinely nice and unnervingly beautiful to take on a string of less-than-likeable characters? With all due respect, she’d like to punch them in the face. “I don’t need you to like them, I just need you to spend a moment in their shoes.”
Michelle and our host discuss her path, The Path, how sex is rarely just sex, and learning the meaning of “improv” the hard way. And after all these years, they lift the veil on their past.
Michelle Monaghan’s is not a face you want to cover up, though that’s exactly what she was once asked to do. In the 10 years since, she’s learned a lot about her craft. Having no formal training, she gained that knowledge largely on the job, feeling in over her head and questioning her abilities, but persevering anyway. The result is a combination of humility and confidence that’s as rare as it is enviable in an actress—or human. Watch her work sequentially—try Kiss Kiss Bang Bang, Gone Baby Gone, Trucker, and True Detective for starters—and you can see her coming into her own on screen. And what of the people who’ve questioned the decision of someone so genuinely nice and unnervingly beautiful to take on a string of less-than-likeable characters? With all due respect, she’d like to punch them in the face. “I don’t need you to like them, I just need you to spend a moment in their shoes.”
Michelle and our host discuss her path, The Path, how sex is rarely just sex, and learning the meaning of “improv” the hard way. And after all these years, they lift the veil on their past.
Michelle Monaghan’s is not a face you want to cover up, though that’s exactly what she was once asked to do. In the 10 years since, she’s learned a lot about her craft. Having no formal training, she gained that knowledge largely on the job, feeling in over her head and questioning her abilities, but persevering anyway. The result is a combination of humility and confidence that’s as rare as it is enviable in an actress—or human. Watch her work sequentially—try Kiss Kiss Bang Bang, Gone Baby Gone, Trucker, and True Detective for starters—and you can see her coming into her own on screen. And what of the people who’ve questioned the decision of someone so genuinely nice and unnervingly beautiful to take on a string of less-than-likeable characters? With all due respect, she’d like to punch them in the face. “I don’t need you to like them, I just need you to spend a moment in their shoes.”
Michelle and our host discuss her path, The Path, how sex is rarely just sex, and learning the meaning of “improv” the hard way. And after all these years, they lift the veil on their past.
When SportsCenter icon Dan Patrick said goodbye to ESPN, he had no idea what was next. For someone who never dreamed of anything but being a sportscaster, leaving the network he helped build took more career balls than Nolan Ryan ever threw. But such risks are usually mitigated in direct proportion to how much you love what you do. And Patrick loves to talk about sports, which he decided to do from his attic, and now does on one of the most successful—and unique—shows on national radio (or TV). What he doesn’t love is toeing anyone’s line but his own. His irreverence, intelligence, and ability to put sports in a larger cultural context put The Dan Patrick Show in a league of its own.
One of the best hosts in the biz talks about calling his own shots, what makes great radio and why you should be concerned with the amount of wood paneling in your boss’s office. This is a guy who finds motivation in every challenge, and for whom “every day is the Super Bowl.” So should we be concerned he’s eyeing the Off Camera host slot? As Patrick himself might say, “You can’t stop him, you can only hope to contain him.” We’re not sure we even did that. Let’s go to the highlights…
