Willem Dafoe is an actor who often seems a million miles from Hollywood, no matter where he is. It’s apparent in the roles he’s chosen, and how he’s chosen to play them. He’ll take Tanzania or a desolate Florida motel strip over a sound stage any day. He’ll show you the good side of a bad guy. And once he falls in love with an idea or a world, he’s all in. “There’s a pleasure to having someone tell me what they want to express or what they’re interested in, and then sending me in there like an explorer.” And that journey is only risky if it’s not risky. “If it’s scary, you’re trying something. Something will happen. Something will be learned. If you already know what something is, that’ll kill you creatively.“ Few actors with careers as long and respected as his are lucky enough to still be a bit terrified. Few actors are Willem Dafoe.
Willem Dafoe is an actor who often seems a million miles from Hollywood, no matter where he is. It’s apparent in the roles he’s chosen, and how he’s chosen to play them. He’ll take Tanzania or a desolate Florida motel strip over a sound stage any day. He’ll show you the good side of a bad guy. And once he falls in love with an idea or a world, he’s all in. “There’s a pleasure to having someone tell me what they want to express or what they’re interested in, and then sending me in there like an explorer.” And that journey is only risky if it’s not risky. “If it’s scary, you’re trying something. Something will happen. Something will be learned. If you already know what something is, that’ll kill you creatively.“ Few actors with careers as long and respected as his are lucky enough to still be a bit terrified. Few actors are Willem Dafoe.
Willem Dafoe is an actor who often seems a million miles from Hollywood, no matter where he is. It’s apparent in the roles he’s chosen, and how he’s chosen to play them. He’ll take Tanzania or a desolate Florida motel strip over a sound stage any day. He’ll show you the good side of a bad guy. And once he falls in love with an idea or a world, he’s all in. “There’s a pleasure to having someone tell me what they want to express or what they’re interested in, and then sending me in there like an explorer.” And that journey is only risky if it’s not risky. “If it’s scary, you’re trying something. Something will happen. Something will be learned. If you already know what something is, that’ll kill you creatively.“ Few actors with careers as long and respected as his are lucky enough to still be a bit terrified. Few actors are Willem Dafoe.
When Chadwick Boseman got the call about Marshall, he was worried. Where’s the hard part, he wondered? The screaming muscles, bone-deep exhaustion and verbal abuse he endured to play Jackie Robinson (42), Vontae Mack (Draft Day) and James Brown (Get on Up) didn’t seem required to play future Supreme Court justice Thurgood Marshall. He found it soon enough – you try leading a courtroom drama when your character is silenced at the opening gavel. For Boseman, the hard part is always the best part. “If I can show up and breeze through it, it’s not going to make me better.” Ideally, he wants to make us all better – by expanding our view of the black experience through more diverse storytelling. With the upcoming Marvel-ization of his career (Black Panther) the hard part now might be getting to all of those rich, untold tales. We’ll wait. Not patiently, but we’ll wait.
When Chadwick Boseman got the call about Marshall, he was worried. Where’s the hard part, he wondered? The screaming muscles, bone-deep exhaustion and verbal abuse he endured to play Jackie Robinson (42), Vontae Mack (Draft Day) and James Brown (Get on Up) didn’t seem required to play future Supreme Court justice Thurgood Marshall. He found it soon enough – you try leading a courtroom drama when your character is silenced at the opening gavel. For Boseman, the hard part is always the best part. “If I can show up and breeze through it, it’s not going to make me better.” Ideally, he wants to make us all better – by expanding our view of the black experience through more diverse storytelling. With the upcoming Marvel-ization of his career (Black Panther) the hard part now might be getting to all of those rich, untold tales. We’ll wait. Not patiently, but we’ll wait.
When Chadwick Boseman got the call about Marshall, he was worried. Where’s the hard part, he wondered? The screaming muscles, bone-deep exhaustion and verbal abuse he endured to play Jackie Robinson (42), Vontae Mack (Draft Day) and James Brown (Get on Up) didn’t seem required to play future Supreme Court justice Thurgood Marshall. He found it soon enough – you try leading a courtroom drama when your character is silenced at the opening gavel. For Boseman, the hard part is always the best part. “If I can show up and breeze through it, it’s not going to make me better.” Ideally, he wants to make us all better – by expanding our view of the black experience through more diverse storytelling. With the upcoming Marvel-ization of his career (Black Panther) the hard part now might be getting to all of those rich, untold tales. We’ll wait. Not patiently, but we’ll wait.
Any number of things can fuel success. There’s talent and ambition, the usual suspects. But don’t discount fear, insecurity or being a wise ass, either. Check all of the above for Nick Kroll, but also add the belief that a career you love can’t be handed to you by anyone other than yourself. He’s created some of the funniest characters in modern sketch comedy for Kroll Show, two of which escaped to the surprise hit Oh, Hello on Broadway. Not all his ideas are brilliant (kale lollipop, anyone?), but Big Mouth, his new animated show about puberty (yes, puberty), may be his best yet. It’s definitely his most personal and brashly original. And likely his most disturbing. It’s also really, really funny. But when someone comes along to give voice to one of our most common, unsettling and hard-to-talk about human experiences, maybe laughs are just icing on the cake.
Any number of things can fuel success. There’s talent and ambition, the usual suspects. But don’t discount fear, insecurity or being a wise ass, either. Check all of the above for Nick Kroll, but also add the belief that a career you love can’t be handed to you by anyone other than yourself. He’s created some of the funniest characters in modern sketch comedy for Kroll Show, two of which escaped to the surprise hit Oh, Hello on Broadway. Not all his ideas are brilliant (kale lollipop, anyone?), but Big Mouth, his new animated show about puberty (yes, puberty), may be his best yet. It’s definitely his most personal and brashly original. And likely his most disturbing. It’s also really, really funny. But when someone comes along to give voice to one of our most common, unsettling and hard-to-talk about human experiences, maybe laughs are just icing on the cake.
